{"title":"Drama","description":"Thesps and theatre-lovers will be holding up skulls and seeing invisible daggers… Here’s our selection of new voices and reinvigorated classics to cross from stage to shelf.","products":[{"product_id":"the-long-line","title":"The Long Line","description":"Tom Hadaway is the most acclaimed living dramatist in the North-East, and the three plays published here affirm a strongly poetic stage voice which speaks powerfully for a region and a way of life it knows intimately. \u003cbr\u003e","brand":"Iron Press","offers":[{"title":"Default Title","offer_id":53675025203585,"sku":"9780906228500","price":6.99,"currency_code":"GBP","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/7369\/products\/279_2_06082003_101955.jpeg?v=1752236757"},{"product_id":"canterbury-tales-chaucer-made-modern","title":"Canterbury Tales: Chaucer Made Modern","description":"In dramatising \u003ci\u003eThe Canterbury Tales\u003c\/i\u003e, Phil Woods takes a deliberately unacademic approach to Chaucer's classical work, while at the same time retaining the original's sense of fun chivalry, and satire.\u003cbr\u003e\u003cbr\u003eSince Michael Bogdanov's exciting 1974 production, this version has been acclaimed by audiences and critics throughout this country (including the West End) and abroad, and after six prints of the first edition, is now republished in a new format.\u003cbr\u003e\u003cbr\u003e\"Like all the best borrowings, Phil Woods' script captures in its own satiric style the comic essence of Chaucer's glee at human credulity and conformity.\"\u003cbr\u003e\u003ci\u003eThe Guardian\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\"Anyone labouring under the misapprehension that medieval English literature is dry and academic should catch up with this splendid dramatised version of Chaucer's \u003ci\u003eCanterbury Tales\u003c\/i\u003e.\"\u003cbr\u003e\u003ci\u003eWestern Mail\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\"Colourful, boozy, good-spirited, compelling entertainment.\"\u003cbr\u003e\u003ci\u003eStage \u0026amp; Television Today\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003ePhil Woods\u003c\/b\u003e started writing for the theatre in 1970. Since then he has been commissioned to write more than fifty plays. Whilst working as Resident Writer with Michael Bogdanov at the Phoenix Theatre, Leicester, he adapted \u003ci\u003eCanterbury Tales\u003c\/i\u003e and \u003ci\u003eDracula\u003c\/i\u003e. For the New Vic Touring Theatre he also adapted \u003ci\u003eThe Three Musketeers\u003c\/i\u003e, \u003ci\u003eSons of the Musketeers\u003c\/i\u003e, \u003ci\u003eThe Last of the Mohicans\u003c\/i\u003e and \u003ci\u003eFrankenstein\u003c\/i\u003e. The New Vic produced \u003ci\u003eBuddy Holly at the Regal\u003c\/i\u003e at the Greenwich Theatre and subsequently on a national tour. He lives in County Durham and has written many plays for local companies, including Live Theatre, Durham Theatre Company and Newcastle Playhouse. 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