{"title":"UEA Publishing Project","description":"\u003chr\u003e\r\n\u003cp\u003e\u003cbr\u003eThe Publishing Project UEA is an innovative new publishing venture based at the University of East Anglia (UEA) in Norwich, England's first UNESCO City of Literature. \u003cbr\u003e \u003cbr\u003e Drawing on world-renowned thinking that happens at the University, The Publishing Project aims to produce short fiction, poetry, non-fiction, academic essays and works of creative-criticism. \u003cbr\u003e \u003cbr\u003e The Publishing Project consists of thr\u003cspan class=\"text_exposed_show\"\u003eee imprints: \u003cbr\u003e \u003cbr\u003e Boiler House Press - the 'literary activist', seeking to redefine what it means to be a publisher in the contemporary moment\u003cbr\u003e \u003cbr\u003e Strangers Press - the translator, introducing new writing from around the world to English-language readers \u003cbr\u003e \u003cbr\u003e Egg Box Publishing - the University, drawing on the wealth of creative thinking that happens at UEA \u003cbr\u003e \u003cbr\u003e The Publishing Project also represents the extensive national and international networks of Norwich, working with partners such as Norwich University of the Arts (NUA), Writers' Centre Norwich, British Centre for Literary Translation, and others.\u003c\/span\u003e\u003c\/p\u003e\r\n\u003cp\u003e \u003c\/p\u003e\r\n\u003chr\u003e","products":[{"product_id":"clinic-ii","title":"Clinic II","description":"\u003ci\u003eClinic II\u003c\/i\u003e is a 116-page, full-colour, anthology of poetry, photography and illustration.\u003cbr\u003e\u003cbr\u003eFollowing a sell-out run of their first anthology, \u003ci\u003eClinic\u003c\/i\u003e return with its second installment in the series: a more ambitious endeavour collating the work of the most exciting young page-poets, illustrators and photographers working today. The book is a manifestation of the workshops, readings and exhibitions \u003ci\u003eClinic\u003c\/i\u003e have orchestrated around the UK in the past year.\u003cbr\u003e\u003cbr\u003e\"Reader, you hold in your hands something like a freezing cold field. In the centre of this rainy, wind-swept field, a crashed gyrocopter. One of the authors crawls out of it (astonished). Orange flames licking the tail. The author stands up, shakes his helmet…\"\u003cbr\u003eRoss Sutherland\u003cbr\u003e\u003cbr\u003eThe publication includes, at its centre, the photo essay, ‘Modern Times’, by 31-year-old photojournalist and \u003ci\u003eNew York Times\u003c\/i\u003e contributor Patrick Tsai, documenting the tumultuous cultural concerns of China in the 21st century. \u003cbr\u003e\u003cbr\u003e\"I’m quite confident that a lot of these writers will still be around and making a noise in poetry when we are all properly grown up. 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States of confusion and chaos, playfulness and joy are all explored throughout this lively and rewarding debut.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAgnes Lehoczky\u003c\/b\u003e was born in 1976 in Budapest. \u003ci\u003eStation X\u003c\/i\u003e (2000) and \u003ci\u003eMedalion\u003c\/i\u003e (2002), her first two short collections, were published in Budapest by Universitas. 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Kane’s books include \u003ci\u003eAll Poets Welcome: The Lower East Side Poetry Scene in the 1960s\u003c\/i\u003e, \u003ci\u003eWhat Is Poetry: Conversations with the American Avant Garde\u003c\/i\u003e, \u003ci\u003eDon’t Ever Get Famous: Essays on New York Writing After the New York School\u003c\/i\u003e (editor and contributor), and \u003ci\u003eFragments, Blotches and Healing Lights: The Conversation Between ‘New American’ Film and Poetry\u003c\/i\u003e (forthcoming 2009).\u003cbr\u003e\u003cbr\u003e\u003ci\u003e\"Daniel Kane is the revitalising voice twenty-first century poetry needs, and \u003ci\u003eOstentation of Peacock\u003c\/i\u003e is a full display of his transatlantic talent.  Fresh, funny and visionary, this book offers the reader a real world of fantasy with the lyric grace of early Ashbery and the prophetic ambition of early Ginsberg.\"\u003c\/i\u003e \u003cb\u003e— Jeremy Noel-Tod\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003e“The variegated plumage of Kane’s elegant, iridescent, fan-tailed poems is a constant delight. Some are indeed as ostentatious as peacocks in their pride, but others obliquely and movingly mime uncertainty, confusion, and loss. This is a gorgeous collection, and one that deserves a ‘harmonious welcome’.”\u003c\/i\u003e \u003cb\u003e— Mark Ford\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003ci\u003e“Fun is missing from this world everywhere; but here it is, at times pitiless but still fun. Daniel Kane’s personable imagination dwells in the house of free play: a posture of meditation on the couch upon which there is ought to do but muse on things of a consequence neither relativized nor sanitized. 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