{"title":"November 2021","description":"","products":[{"product_id":"night-time-stories","title":"Night-time Stories","description":"\u003cdiv class=\"wysiwyg-content\"\u003eA child waits for the tooth fairy; a mother spends a night watching a recording of the previous night; two women face the ghosts that haunted their grandmothers. 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Read\non, learn and enjoy. \n\n \u003cb\u003eIncluding\nessays by: \u003c\/b\u003eRomalyn\nAnte, Hafsah Aneela Bashir, Khairani Barokka, Leo Boix, Vahni Capildeo, Mary\nJean Chan, Jo Clement, Sarah Corbett, Rosie Garland, Andrew McMillan, Kim\nMoore, Pascale Petit, Daniel Sluman, Jean Sprackland, Jennifer Wong and more.  ","brand":"Nine Arches Press","offers":[{"title":"Paperback","offer_id":39907955245134,"sku":"9781913437299","price":14.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/7369\/products\/original_8133b8ff-e277-4081-9afd-2f803c9fbbcc.jpg?v=1752241402"},{"product_id":"somebody-loves-you","title":"Somebody Loves You","description":" \u003ci\u003eA teacher asked me a question, and\nI opened my mouth as a sort of formality but closed it softly, knowing with\nperfect certainty that nothing would ever come out again.\u003c\/i\u003e \n\n\n\n Ruby gives\nup talking at a young age. 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In between, the book explores the histories, geographies and the ironic ‘impossibility’ of being black in our time.   From Grenfell, Guantanamo and Gaza, to the monsters of empire and neoliberalism selling their ‘tar baby promises’ of freedom, \u003ci\u003eThe Madman in this House\u003c\/i\u003e is a book about resistance to colonialism in the twenty-first century. ","brand":"Smokestack Books","offers":[{"title":"Default Title","offer_id":39510689710158,"sku":"9781838465308","price":7.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/7369\/products\/original_f2e762b9-b6b8-4ad3-bf07-237473df3675.jpg?v=1752239391"},{"product_id":"space-odes","title":"Space Odes","description":"  \u003cstrong\u003eRTA Parker\u003c\/strong\u003e’s \u003cstrong\u003eSpace Odes\u003c\/strong\u003e is an entertainingly bonkers romp of constellation and collage, writing and re-writing its entertainingly allusive way through intertextual space lampooning, deriding, despairing at and celebrating robots, the universe, love and sport (cricket, mostly) in a wonky poetics of anxiety and joy at the world we are thoroughly and catastrophically screwing up.     ‘No Catharsis.     No bust through into the empyrean.     No illumination.     It ends with you realizing that even the silent beyond has been colonised by wankers’     Texts quoted from or paraphrased repeatedly and\/or prominently include Ralph Metzner and Timothy Leary’s \u003cem\u003eThe Psychedelic Experience\u003c\/em\u003e, \u003cem\u003eThe Cantos of Ezra Pound\u003c\/em\u003e, \u003cem\u003eStar Wars\u003c\/em\u003e, George Eliot’s \u003cem\u003eMiddlemarch\u003c\/em\u003e, \u003cem\u003eA1: Britain’s Longest Road\u003c\/em\u003e, \u003cem\u003eSilent Running\u003c\/em\u003e, \u003cem\u003eCool Runnings\u003c\/em\u003e, \u003cem\u003e2001: A Space Odyssey\u003c\/em\u003e, Samuel R. Delany’s \u003cem\u003eTrouble on Triton and Dhalgren\u003c\/em\u003e, Emily Witt’s \u003cem\u003eFuture Sex\u003c\/em\u003e, \u003cem\u003eThe Song Remains the Same\u003c\/em\u003e, \u003cem\u003eAliens\u003c\/em\u003e, \u003cem\u003eBlade Runner\u003c\/em\u003e, Larry McMurtry’s \u003cem\u003eLonesome Dove\u003c\/em\u003e, Charles Olson’s \u003cem\u003eThe Maximus Poems\u003c\/em\u003e, \u003cem\u003eWoodstock\u003c\/em\u003e, Rainer Maria Rilke’s \u003cem\u003eDuino Elegies\u003c\/em\u003e, Herman Melville’s \u003cem\u003eMardi\u003c\/em\u003e, \u003cem\u003eand a Voyage Thither\u003c\/em\u003e and Willa Cather’s \u003cem\u003eO Pioneers!\u003c\/em\u003e     --     \u003cstrong\u003eRTA Parker\u003c\/strong\u003e was born in 1978. His poetry has appeared in Onedit, Signals, The Rialto, Great Works, Freaklung, Naked Punch, Glitch, Brand and The Wolf, and he has read at various reading series, including Crossing the Line, Chlorine, and Desperate for Love. He is the editor and printer of Crater; a hand-bound and letter-pressed poetry pamphlet series based in London and Brighton. His poem, 'All The Bleak Chippies' (included in\u003cstrong\u003e Space Odes\u003c\/strong\u003e) won the Ledbury Poetry Prize, in 2018.  ","brand":"UEA Publishing Project","offers":[{"title":"Default Title","offer_id":39510689841230,"sku":"9781913861346","price":11.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/7369\/products\/original_7cafd5a5-d6c5-4916-afca-1829d28df3f6.jpg?v=1752240990"},{"product_id":"underneath","title":"Underneath","description":" \u003cb\u003eMartin Hayes\u003c\/b\u003e’\nthird Smokestack collection is a hymn to the invisible workers everywhere who\nhold up the sky – specifically the couriers and support staff who have been working\n15-hours a day to distribute PPE and test kits up and down the UK.  \n\n\n\n \u003ci\u003eUnderneath\u003c\/i\u003e\nis a brutally funny collection about work, comradeship and community,\nthe deals we do to stay human in the dehumanising conditions of the twenty-first\ncentury, the years we exchange for a fridge full of food, a well-stocked\nmedicine cabinet and the chance to swim in the sea once a year. It’s a book\nabout work-mates and neighbours, warnings and redundancies, managers with their\n‘Moray eel smiles’ and the alien rich who think that the world belongs to them. Martin Hayes gives a voice to everyone at the bottom\nof the pile, below the salt, \u003ci\u003eunderneath\u003c\/i\u003e, defiantly asserting that we are\nnot defeated – at least not just yet.  \n\n   ","brand":"Smokestack Books","offers":[{"title":"Default Title","offer_id":39510689873998,"sku":"9781838465315","price":7.99,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0441\/7369\/products\/original_6ee451ec-55b2-4460-90ed-ccc41ea849a4.jpg?v=1752239390"},{"product_id":"what-katy-did","title":"What Katy Did","description":" \u003cb\u003eSusan Coolidge\u003c\/b\u003e’s\u003ci\u003e What Katy Did \u003c\/i\u003ehas captured the imaginations of readers since its first publication in 1872.       A classic of American children’s literature, it tells the story of Katy Carr - twelve years old, free-spirited, perennially untidy, endearingly awkward and irrepressibly imaginative.     Accompanied by her many siblings, Katy embarks on a series of playful misadventures - when she can escape the watchful eye of her fussy Aunt Izzie - until disaster strikes, and Katy has to learn a series of important lessons about life, happiness and growing up. In time for the 150th anniversary of its first publication, this is the first edition of What Katy Did to provide readers with a full introduction to the text, one which describes a context for both the challenges Katy faces in meeting the expectations of nineteenth-century young womanhood, and a consideration of her ongoing significance in the twenty-first century.       A must read for fans of Little Women, this unique edition has been carefully designed to introduce a new generation to Katy and her escapades.       Edited by specialists in the genre, it combines aesthetics, accessibility and academic rigour. Hilary Emmett and Thomas Ruys Smith, both based in the School of Art, Media and American Studies at the University of East Anglia, are experts in nineteenth century children's literature and the authors and editors of a variety of books including, most recently, The Oxford Handbook of Charles Brockden Brown (Emmett) and Deep Water: The Mississippi River in the Age of Mark Twain (Smith).     Crucially, it has accessibility at its heart: the editors were passionate that this book should be approachable for those with visual impairments and dyslexia but without sacrificing the aesthetic beauty of the finished book for the general reader. This is a valuable edition to be treasured and handed on to future fans of Katy and her world. 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