Vol. 45 No. 3
Editorial
Introduction
Poems: Hoofmarks
Andrew McNeillie: The Far Moss
Christopher Locke: Red Horse
Lyn Moir: Gansu Flying Horse 1 and 2
Thomas O’Grady: Magritte
Angela France: Empty Horses
Alison Brackenbury: Exmoor
Laminitis
John Wesley’s Horse
Fred Beake: The Stable
Fawzia Kane: Carnevale
Joseph Allen: Black Horses
Wendy Holborow: Dead Horses
John Freeman: Being Read
Kathy Miles: Travelling Fair
Abby Millager: I don’t know who took the photo
David Cooke: Work Horses
Krupskaya
Lucinda Carey: Out of Bracken
Katherine Dimma: More True
Felix Dennis: I Bit the Hand that Fed Me
Three essays/reviews:
Josephine Balmer: It Happens Once For Ever:
Seamus Heaney, Robert Henryson, Derek Mahon,
Derek Walcott, Aidan Andrew
David Cooke: The City is a Map of the City: Cíaron Carson
W S Milne: Fleur Adcock’s Classicism
Poems:
Alyson Hallett: Clarke’s Shoe Factory
Dream Doctor
John F. Deane: Dusk
Shelf-Life
John Clare’s Bedlam
Tim Liardet: from The Storm House: 14,23,24,26
Andrew McNeillie: Lead Kindly Light
Elegy
Wallflower
James Simpson: from An Untenanted Room: I, VI, IX, XII
David Cooke: At Varyinko
Shadow-Boxing
Gary Allen: The Boxer
Gypsy Ballads
Christine McNeill: Crossword
Jean O’Brien: The Blue Bobbin
Julie-ann Rowell: Lightning
Jet-Lag
Fiona Sampson: Angels of the Coffee Shop
Belinda Cooke: Salt Water
Sue Roe: Piano d’Enfant
Psyche
June Hall: Weeping Woman
Felix Dennis: My Generation
The Big ‘A’
Tony Roberts: Drawndark
Houses at Naples, 1782
Jose Luis Borges: 1964 translated by Terese Coe
John Gladwell: No Cure Yet
Rosie Shepperd: I want to think you’ll make a neat job of confiscating my heart
Reviews:
Patricia McCarthy: A Little Big Book: Tim Liardet’s Priest Skear
David Cooke: All that Absence Signifies: Ian Parks’ The Landing Stage
Alex Smith: Of Form and Narrative: Eiléan Ni Chuillenáin, Fiona Sampson,
Jo Shapcott, Linda Saunders, Linda France
Chosen young Broadsheet Poet: Helen Mort: four poems
Hoofmarks: Two young poets
Rachel Faulkner: The Farrier
Colic
Gavin Goodwin: Winter Horses
Young essayist/poet:
Loveday Why on the Haiku
Notes for Broadsheet Poets
Fiona Sampson: The Loneliness of the Autodidact