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Dragon Talk

Dragon Talk

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After the appearance of Fleur Adcock's Poems 1960-2000 she wrote no more poems for several years. This cessation coincided with ñ but was not entirely caused by ñ her giving up smoking. When poetry returned to her in 2003 it tended towards a sparer, more concentrated style. This new collection continues to reflect her preoccupations with family matters and with her ambivalent feelings about her native New Zealand.

Her initial inspiration was the letters her father wrote home from England to his parents during World War II, which evoked her own memories of that era. The central sequence moves from her first coming to consciousness in New Zealand up to and through the war years in Britain and on to sketches from her teens in puritanical postwar Wellington after her reluctant return ñ not without her usual sardonic eye for incongruities and absurdities. There are also affectionate poems for her grandchildren and her late mother.

"Dragon Talk... is gloriously sardonic about modern life."
Daisy Goodwin, Sunday Times

"There is no mistiness about these memories. They are almost brutally sharp, and the whole is spiced with a telling humour."
Michael Glover

"It's a shock to realise that this is Adcock's first new collection for†a decade; the pin-sharp voice of poems such as 'Against Coupling', 'Advice to a Discarded Lover' and 'For a Five Year Old' is so essential and recognisable that it's difficult to know how we've done without it for 10 years. Inspired by the letters her father wrote from England, where he was stationed, to his parents in New Zealand during the second world war, this collection returns Adcock to familiar territory: the family, and her own complex feelings towards her native country."
Sarah Crown, The Guardian

"These beautifully crafted poems are full of laconic punchlines... Adcock scores the sand to defy the waves."
Julian Stannard

"This is a subtle book of deceptive depth that will make you think more carefully about memory."
Natalie Whittle, Financial Times

"Adcock has a deceptively laid-back tone, through which the sharper edge of her talent is encountered like a razor blade in a peach."
Carol Ann Duffy, The Guardian

"Adcock's reputation has been founded on her spare, conversational poems, in which the style is deceptively simple, apparently translucentÖ those who see in such poems only flatness are missing the power of a voice which teases both reader and subject."
Jo Shapcott, TLS