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Museum of Ice Cream

Museum of Ice Cream

9781780375458
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Jenna Clake’s Museum of Ice Cream is part simulation, part internal monologue, part attempt to reach out. An uncanny examination of objects, scenes, and flavours, these poems explore how food can connect and divide, can feel isolating and terrifying: public and private jars of peanut butter, a tray of lemons, unfurling chocolate bar wrappers. In turning to television, childhood films, and social media accounts, her collection investigates how to reveal and conceal, what it means to have a secret, to be intimate, to navigate something that should be natural, but feels sickly, sour, and wrong.

Museum of Ice Cream is Jenna Clake’s second collection, following her debut Fortune Cookie (2017), winner of an Eric Gregory Award and the Melita Hume Poetry Prize, which was also shortlisted for a Somerset Maugham Award.

'The second collection from Eric Gregory award winner Jenna Clake, Museum of Ice Cream, has the mesmeric capacity to be at once inviting and isolating, relatable and disorientating.  The  reader is twisted through simulations and tantalising snippets, drawn out of context into an absurd realm overshadowed by our relationship with food, with ourselves, and with others. Wry and poignant, this is a fascinating collection.' - Poetry Book Society Bulletin

'Following on from her debut collection Fortune Cookie, Jenna Clake’s new collection of poetry examines objects, scenes and flavours, exploring how food can both connect and divide. In turning to television, childhood films and social media accounts, her collection investigates how to reveal and conceal, what it means to have a secret, to be intimate, to navigate something that should be natural, but feels sickly, sour and wrong.' - Zoe Turner, The F-Word (best fiction and non-fiction coming in 2021)

‘The trajectory between Clake’s debut collection and Museum of Ice Cream is logical but still beautifully unexpected: the linguistic precision and surreal swerves are stronger than ever, but something deepens and resonates as the voice transitions from instructive, to consoling, to lost, often within the same stanza. These are poems of such sadness and grace; fear transfigured by a powerful imagination into endlessly explorable terrains. Not so much to guide as to reach out to you in your own maze of confusion, wonder and dread; which is all I ever really ask of poetry.’ – Luke Kennard