In Prairie, Dresses, Art, Other, Danielle Dutton imagines new models for how literature might work in our fractured times. Dutton’s writing is as protean as it is beguiling, using the different styles and different spaces of experience to create a collage of the depths and strangeness of contemporary life.
The collection covers an inventive selection of subjects in four eponymous sections which contrast and echo one another, challenging our expectations and pushing the limits of the dream-like worlds and moods that language might create.