Composition in White
Published by Smokestack Books
“I have no hesitation in stating that S.J. Litherland is one of the finest poets I have come across in recent years. I admired and loved this collection for its skilful detail and the sense of time and place which is endearing, evocative and enriching. Litherland engages the reader’s senses on every level through her vivid description and her passion for her material. At times the language is expansive and at other times it is economical, but each word feels carefully chosen to fit like a piece in a jigsaw puzzle. This book could serve as a masterclass in poetry.”
Graham Hardie, London Grip Poetry Review
“This is a poem (Springtime of the Nations) which resonates off the page addressing the reader with clarity and leaving echoes of historical reconstruction which can be felt in our NOW. As Jo Colley states on the back cover of this fine collection of poems Litherland’s poet’s eye is ‘as diamond sharp and unsentimental as ever’.”
Ian Brinton, Tears in the Fence website
At the start of her ninth decade, S.J. Litherland traces the red threads running through her long life, back to a Warwickshire childhood spent in country lanes and air raid shelters, and before that the ghosts of the Levellers and Diggers, the 1848 ‘Springtime of the Nations’ and the Bolshevik Revolution of 1917, whose frail free spirit was famously celebrated in Malevich’s Composition in White. Her seventh collection is also a secret book of England, cricket and Morris dancing, Brummie aunts and Bohemian artists, and the long shadow of the war years, a state of the nation archive of a life-long socialist. What seems essential is to keep the pages open, so what is lost, or on the verge of being lost, is not forgotten.