While on assignment for the Virginia Quarterly Review to report on the impact of HIV/AIDS on Jamaica, Kwame Dawes could not prevent himself from writing poems in response to the stories he heard. In a way journalism is not designed to do, these poems pare away detail to reveal the truths of character and situation, and find forms which both give expression to and find a kind of perfection for fleeting, difficult lives. These poems became, in time, this, his fourteenth collection of verse.
Powerfully illustrated by Joshua Cogan’s photographs, the art of Dawes’s poems makes it impossible to see HIV/AIDS as something that only happens to other people, and to marginalise their lives. Here, the experience of the disease becomes the channel for dramas that are both universal and unique, voices that are archetypal and highly individual – stories of despair and stoicism, deception and self-honesty, misery and joy in life.
Kwame Dawes is widely acknowledged as the foremost Caribbean poet of the post-Walcott generation. He currently holds the position of Distinguished Poet In Residence and Louise Fry Scudder Professor of Liberal Arts at the University of South Carolina.
Powerfully illustrated by Joshua Cogan’s photographs, the art of Dawes’s poems makes it impossible to see HIV/AIDS as something that only happens to other people, and to marginalise their lives. Here, the experience of the disease becomes the channel for dramas that are both universal and unique, voices that are archetypal and highly individual – stories of despair and stoicism, deception and self-honesty, misery and joy in life.
Kwame Dawes is widely acknowledged as the foremost Caribbean poet of the post-Walcott generation. He currently holds the position of Distinguished Poet In Residence and Louise Fry Scudder Professor of Liberal Arts at the University of South Carolina.