Elisions, displacements, journeys, memories of journeys, dreams: this new collection of poems by Sheenagh Pugh has a pervasive elegiac quality. Known for her incisive narratives, many of these new poems work more by implication than explication. She uses a shorter line, briefer description and when there is dialogue it is often minimalist, oblique, refracted through camera or computer or telephone line. A typical protagonist is a bearded, anonymous elderly gentleman struck by a tram, carrying no papers, never named, only visible through the reported details that slowly resolve into a biography that we might come to recognise as a famous architect.
Another typical poem is 'The Unconversations' which is a beautiful paean to the shorthand of private references used by a long-married couple. 'Murat Reis' features the fractured life of a pirate, privateer, merchantman or mere explorer according to the multiple identities assumed and assayed in this poem, the various sections of which switch line lengths and rhythms. History provides encapsulated stories: such as in 'Victor' which mourns the life of a young, freed slave in Roman Times, implied from the illustrations on his gravestone. 'Webcam Sonnets' capture the subtle, sometimes poignant, sometimes sad, illusion of intimacy given via webcam contacts.
"Pugh is a cool, elegant poet. Her often quirky elisions and voyages have a quiet poignancy"
"Sheenagh Pugh's poems make you fall in love with objectivity. If she uses 'I' anywhere you can be sure it's a persona or a monologue in character of some personage. You will look in vain for clues as to the self behind the poems. But her consistency in this regard inspires confidence in her command, her professionalism… The poems have an oblique clarity that is very winning."
Sheenagh Pugh is known to thousands of poetry readers for 'Sometimes', her much anthologised 'poem on the underground' and for her Selected Poems, a set text in schools.. She currently lectures in Creative Writing at the University of Glamorgan, and has won numerous prizes for her work, including the Babel Prize for translation and the ACW Book of the Year in 2000.